You step inside – and suddenly the walls rise. Colours stretch beyond your gaze. This is where Edvard Munch worked at a scale he had never attempted before. Painted for the @Universitetet i Oslo’s Ceremonial Hall, these monumental works emerged from years of sketches, experiments, and relentless effort. In 1916, the University Aula opened with Munch’s eleven paintings – the only works by him still hanging in their original setting. 📍Monumental at MUNCH traces this journey, culminating in The Su
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You step inside – and suddenly the walls rise. Colours stretch beyon…
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Visual Analysis Lesson for Edvard Munch's The Scream
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Now open! Get immersed in the bold, experimental world of Edvard Munch where paint meets print, and innovation knows no limits. 🖌️✨ FREE Everyday! "Edvard Munch: Technically Speaking" is a one-of-a-kind experience, revealing how the legendary artist pushed the boundaries | Harvard Art Museums
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This glimpse into Edvard Munch’s exhibition at Equitable Palast in Berlin around the turn of the year 1892/93 is the earliest photograph of any Munch exhibition, the only one from the 1890s and the closest one comes to a visual impression of the scandal-ridden exhibition at "Verein Berliner Künstler" a few weeks earlier. In the photograph there are three paintings that are now presumebly lost: an earlier version of “The Day After” (1891-92), “From the Riviera” (1892) and “Men Flocking round Wome
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POV: removing mould from Edvard Munch’s art 🧑‍🔬🦠 Behind closed doors, we’re currently focusing on the nearly 2,000 contaminated lithographs in our collection. 💧 These works likely suffered water damage between Munch’s death in 1944 and the old Munch Museum’s 1963 opening, causing mould growth, staining, discoloration and weakening of the paper. To prevent spreading, they’ve been stored in sealed boxes. Though inactive in our climate-controlled storage, these specific lithographs cannot be ex
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