What makes every performance at New York City Ballet magic? Hint: It takes a lot of people. Watch our Education Dept's adorable new video, which takes you behind the scenes of morning class, the costume shop, the shoeroom, and much more. And get tickets to our upcoming 19-20 Season performances and education events — now on sale. You can also learn more about the educational programming NYCB offers year-round for schools, teachers, students, and more: https://www.nycballet.com/educate/ | New Yor

Engage with a living, breathing art form as it unfolds in real time, and embrace the collective experience of audience members and performers sharing an ephemeral live performance. New York City Ballet is back onstage with six weeks of winter performances, featuring world premieres by Resident Choreographer Justin Peck and Artist in Residence Alexei Ratmansky, an array of Balanchine and Robbins favorites, and a two-week run of the enchanting full-length The Sleeping Beauty. Now through MAR 1. |

Winter Replay: Intricate and complex formations of dancers fill the stage in George Balanchine's iconic leotard ballet, Symphony in Three Movements. | New York City Ballet

Lindsi Dec saw Miami City Ballet perform Rubies when she was just a kid. She told her mom one day she would dance the tall ballerina role... and that's exactly what happened. Great seats and performances through Oct 1 >> http://bit.ly/PNBJewels | Pacific Northwest Ballet

The finale of George Balanchine's Rubies packs quite the punch—but frankly, which part of this ballet doesn't? Don't miss the sparkle and sass as Jewels returns to our stage in-full for the first time in four years, beginning on opening night of our 75th Anniversary season: nycballet.com/season-and-tickets/fall-2023/jewels/ | New York City Ballet

RED ANGELS /// Choreographed by Ulysses Dove in 1994 as a part of the New York City Ballet’s Diamond Project. This dynamic piece combines athleticism, striking red lighting, and a musical score by Richard Einhorn to create an intense, high-energy exploration of power and sensuality. Ulysses Dove commented on working with the dancers of New York City Ballet: “I wanted to deal with aspects of the Balanchine aesthetic I find appealing: the speed, legginess, the formality. As for the title, I think

Fall Replay: Principal Dancers Chun Wai Chan and Indiana Woodward lead the ensemble of Justin Peck's Everywhere We Go through intricately interweaving formations. Audiences can catch the contemporary classic again this winter on the 21st Century Choreography program: nycballet.com/21centurychoreographywinter | New York City Ballet