Judy Becker is known for The Brutalist (2024), Carol (2015) and American Hustle (2013). She is married to Michael Taylor.

Judy Becker is an American production designer. She was nominated for an Academy Award in the category Best Production Design for the 2013 film American Hustle. Her nomination was shared with Heather Loeffler. [1] Her husband Michael Taylor is a …

Jan 24, 2025 · For The Brutalist ’s production designer, Judy Becker, who received an Oscar nomination for her work earlier this week (her second, after a nod for David O. Russell’s American Hustle in 2014),...

Feb 5, 2025 · Judy Becker Photo by Judy Becker. JUDY BECKER: It was a little different because the first thing that Brady asked me to do was to design the institute, so that we would know what we would build of ...

Nov 21, 2022 · My True Love: Taxi Driver, 1976, directed by Martin Scorsese, production design by Charles Rosen. The worlds that Scorsese depicts in Taxi Driver, most of them shot on location in New York City, feel real and genuine, yet fresh and eye-opening at the same time. The use of color is virtuosic.

Dec 25, 2024 · Production Designer Judy Becker on Setting the Foundation for “The Brutalist” The brilliant mind behind the sets for “Carol” and “Brokeback Mountain” talks about thinking like an architect for this landmark drama.

Dec 18, 2024 · Judy Becker discusses crafting László Toth’s modernist on-screen universe—including his buildings. Brutalism is architecture’s frenemy —beloved for its stylistic concrete heaviness and inventive shapes, while often reviled for, simply, being "ugly."

Feb 1, 2025 · Well before she met The Brutalist director Brady Corbet, production designer Judy Becker hoped she could work with him.. Becker — known for her work on Ang Lee’s Brokeback Mountain, Todd Haynes’s Carol, and her Oscar-nominated work on David Russell’s American Hustle — has long had a passion for the Brutalist architecture that gives the film its name.

Jan 20, 2025 · Nominated for a Critics Choice Award, production designer Judy Becker, whose credits include Brokeback Mountain, American Crime Story, and an Oscar nomination for American Hustle, welcomed the limited budget. Architecture shot and production design image from The Brutalist.

Cited as one of “25 to Watch” in the summer 2002 issue of Filmmaker, Judy Becker came to her career in production design from a background in fine arts, including several years as an “underground” comics artist.