Tim Crouch is Prospero in his own shipwreck-set production, in which characters emerge onstage from the audience — as if ...

Read our review of *The Tempest*, now in performances at the Sam Wanamaker Playhouse to 12 April. Read more theatre reviews on LondonTheatre.co.uk.

This is Tim Crouch’s Tempest as much as it is Shakespeare’s. Admittedly, for anybody unfamiliar with this most fantastical of the Bard’s late romances, it probably isn’t an ideal introduction, but ...

Some spells are cast by this production, in which the director plays Prospero, but it also wearingly replays the same tricks ...

The misbehaviour continues with Rachana Jadhav's maximalist set design, which is laden with puppets, masks and treasures – and secret disco lights, usually forbidden in this authentic candlelit space.

Tim Crouch brings his idiosyncratic style to The Tempest, and it’s a match made in theatre heaven. Here, heaven is the Sam ...

Tim Crouch is one of our great theatrical alchemists. Most famously – in his conceptual show An Oak Tree – he creates a ...

Do you have favourite theatres in London? Sam Wanamaker is one of mine. It’s a tiny indoor theatre next door to the ...

Director Abigail Graham shines candlelight on Shakespeare's complex exploration of prejudice, patriarchy and capitalism in the Sam Wanamaker Playhouse. In a society that exploits minorities to keep ...

She was travelling with King Alonso of Naples, played by Jo Stone-Fewings who apologetically clambers through the audience, and his son Ferdinand, by Joshua Griffin (who is made to appear a co-opted ...